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Posted on: Posted on 09-02-2010 Views: 75 Replies: 0
Keywords: Weekend Sale, Samson SE50 Headset Microphone, Roland HPD10 Handsonic Percussion ControllerFactory Resealed, Warrior Trivia, new day new deals, new day new deals web app, even better, new and improved forum, customer review, customer ratings, Canada, Easy Payments, Gold Lock Extended Warranty, Factory-Resealed, khz, bass, input, power, control, price, hartke, inch, American Musical Supply Weekend-only Deals and New Price Drops!
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|  | | This Weekend Warrior Newsletter is just one of many benefits you get as an AMSrecipient. Over the past months we've sent announcements of new products, special event reminders, and more. Throughout the year, we'll have much more to show youalways with the award-winning customer service that | makes AMS the go-to online source for musicians.on the banner above to see all of these Weekend Warrior deals, and more specials on our site. Special prices expire Tuesday, September 7th, 2010. Have a great holiday weekend! |  |  |  |  | Mackie Onyx 1620i Firewire Recording Mixer
"It's like I'm hearing all the rest of the gear in my studio for the first time."
Subject: Ties my studio together
Quality: It's rather expensive for a guy on a budget, and it was the last real piece I needed to tie it all together. And it was worth every penny.
Features: The inserts are connected to the eq's pre/post switch which is awesome. The manual only says that you can preform a wiring mod to make them post. So if your like me and curious to know, there ya go.
Ease of Use: It's very well laid out. Very intuitive. If your like me and prefer an analog front end this is it.
Sound: This thing is a world class studio compared to my old firewire mixer. So warm and full of analog goodness without all the noise. It's like I'm hearing all the rest of the gear in my studio for the first time.
Reliability: Just got it but my Mackie 1604VLZ is 17 years old and is still our live mixer. So I don't really expect a lot of problems with this one.
Overall: For my project studio this is the perfect front end. Worth every penny and then some. I was cheap the last time and bought something other then a Mackie. And I can't believe how much I missed not having a Mackie.
Do you own this product?: Yes
Mackie Onyx 1620i Firewire Recording Mixer
"You can assist other musicians by offering your personal experience with our products!"
Simply rate any product from the item pages and you will be automatically entered for a chance to win a $50 Gift Card. | Product Information:
Samson SE50 Headset Microphone
The Samson SE50 Headset Condenser Microphone is perfect for presentation, fitness and vocal applications.
This low, miniature condenser microphone provides accurate audio reproduction through its compact 2.5 mm capsule. The SE50 has a slightly malleable arm that can be directed to work on the left or right ear depending on your own specific comfort. The SE50's retaining band keeps the mic in the correct place even when used in energetic fitness applications. With its Omni-directional pickup pattern, the off-axis frequency response of this microphone is linear, providing an articulate reproduction regardless of the capsule position.
Samson SE50 Features - Micro-miniature condenser with 2.5 mm capsule
- Omni-directional pickup pattern, off-axis linear frequency response
- Fits left or right ear and retaining band holds mic in place
- Moisture resistant coating
- Detachable cable
- Adjustable drip ring helps protect mic element from sweat
- Four cable adapters for compatibility with most popular wireless transmitters
- Includes three windscreens, clothing cable clip and carry case
Treated with a water resistant coating, the Samson SE50 provides added protection from both sweat and other moisture, while its moisture-guard drip ring further protects the capsule and ensures a reliable performance.
Available in cocoa, beige or black, the SE50 is particularly well suited for use with Samson wireless systems. And with four included adapters, the microphone can be used with most any other manufacturer's wireless belt-pack systems. The SE50 kit also includes a clothing cable clip, detachable cable, three windscreens and an attractive carry case to hold the SE50 and its accessories, as well as a compartment to hold most any belt-pack transmitter.
Manufactured with extreme care and the highest quality components, the SE50 delivers exceptionally clear, articulate sound with reliable performance in an extremely low design.
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DigiTech Vocalist Live Pro Vocal Harmony Processor, B-Stock
The DigTech Vocalist Live Pro delivers lets you generate live multi-part vocal harmonies accompanied by your keyboard or guitar! Any song that has the same note sung over two different chords confound conventional harmonizers. The Vocalist Live Pro is smarter than that.
The Vocalist Live Pro is a rack processor based on the Vocalist Live 4 that includes a new MIDI interface that works with keyboards as well as guitars. Utilizing the patent-pending musIQtechnology combining new Note Detection algorithms with state-of-the-art Harmony Generationand the raw power of AudioDNA2, the Vocalist Live Pro can create real-time harmonies with your live voice that are in key and perfectly on pitch. With all that processing power, we were able to pack it full of other features as well, including world-class Lexicon Reverbs, Soundcraft low-noise studio-grade mic preamp, real-time pitch correction for each voice, individual persona and gender selection per voice, configurable outputs, tuner, 99 user factory presets and more. Plus, it's available with a fully assignable optional foot switch and expression pedal so you get reall time control and kick in the harmonies at just the right moment.
DigiTech Vocalist Live Pro Features - 3 or 4 part vocal harmony using the musIQ technology with MIDI that analyzes the guitar and keyboard signal according to chord recognition.
- Selectable unison, 3rd, 5th or octave above or below of lead vocal. Pitch correction for each individual voice with 4 adjustable parameters
- Lead vocal and harmony effects; Compressor, Lexicon-Licensed Reverbs and EQ, Persona models Edit, store and recall 99 user or 99 factory presets
- On-board guitar tuner
- XLR mic /line with level adjustment, Soundcraft studio grade preamp and 48V phantom power
- L/R Stereo 1/4-inch aux outputs, L/R XLR main outputs, S/PDIF out, ground lift, selectable output routings
- MIDI in/thru
- USB for preset Librarian and exchange
- Footswitch and expression pedal jacks for remote control of presets and effects
DigiTech Vocalist Live Pro Specifications
Line In to Line Out - Dynamic Range: 107dB A-weighted
- THD+N: 0.002% (1KHz, Gain Max, 0dBu Input)
- Frequency Response: -3dB at 25Hz and 22KHz
Analog Inputs - Guitar:
- Connectors: 1/4 inch Unbalanced TS Connectors
- Maximum Input Level: 6 Vpp
- Input Impedance:
+ Ground Connected: 2.2M Ohms
+ Ground Lifted: 4.4M Ohms - Mic Preamp:
- Connectors: XLR Balanced (maximum input level)
- Sensitivity for 0dBFS: -31.5dBu to +10dBu
- Input Sensitivity for Analog Clip: -15.5dBu to +20dBu
- Equivalent Input Noise (EIN): -126.5 dBu A-Weighted, Ref 150 Ohms
- Input Impedance: 2.4KOhms Balanced
- Mic Thru: XLR Male (Direct Connect to Mic In)
- Line:
- Connectors: 1/4 inch Balanced/Unbalanced TRS Connectors
- Input Sensitivity for 0dBFS: +4.5dBu to +21dBu
- Input Impedance: 10K Ohms Balanced, 5K Ohms Unbalanced
- Analog/Digital Converter: 24-bits (20-20kHz, +/-1dB)
- Dynamic Range: 114dB, A-weighted
- Crosstalk: -90dB 1KHz
Analog Outputs - Main:
- Connectors: XLR Female Balanced (MAIN)
- Output Level for Digital Full Scale (+4dBu Nominal): +17.4 dBu
- Output Impedance: 2.2K Ohms Balanced
- Dynamic Range, SNR: 111dB, A-Weighted
- THD+N: 0.002%
- Crosstalk: -110dB 1KHz
- Aux Line:
- Output Level for Digital Full Scale (+4dBu Nominal): +17.4 dBu
- Output Impedance: 2.2K Ohms Balanced
- Dynamic Range, SNR: 111dB, A-Weighted
- THD+N 0.002%
- Crosstalk: -110dB 1KHz
- Digital/Analog Converter:
- D/A: 24-bits (20-20KHz, +/-1dB)
- Dynamic Range: 114dB, A-Weighted, -60dB Full Scale Input
- Crosstalk: -90dB
Other - Sample Rate: 44.1KHz Internal Clock
- Signal Processing: Freescale DSP56367 DSP with Custom Firmware
All Signal Processing Takes Place at 44.1KHz Sample Rates, Native - Digital Outputs:
- S/PDIF: RCA Connector. Sample Rate Reflects Internal Sample Rate of D/A Converters
- USB: B Port; USB 1.1 Compliant, USB Full-Speed Mode (12Mbps) Class compliant MIDI port
- Digital Inputs:
- Power: 120VAC, 60Hz
- Power Consumption: 17 Watts
- Dimensions: 19 x 7.5 x 1.75 inches (1U 19 inch Rackmount)
- Weight: 6.5 lbs.
- Environment: Operating Temp: 60-95 Degrees F (15-35 Degrees C)
- Regulatory: 73/23/EEC, 89/336/EEC, 93/68/EEC, EN55013(2001+A1), EN55020(1998), RoHS, EN60065 7th Edition Requires that Products Be Tested at +/- 10% of Rated Mains Voltage; CAN/CSA 60065-03; UL60065-05; IEC60065 7th Ed. (2001)
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Behringer Eurolive VP2520 PA SpeakerNew Price Drop!
Behringer's Eurolive Series of PA speakers gives professional quality sound, massive amounts of power as well as key features, at a cost far below so-called high end PA systems. Eurolive PA Speakers have long-excursion drivers for massive acoustic power and titanium-diaphragm compression drivers for great high-frequency reproduction.
Behringer Eurolive VP2520 PA Speaker Features - Professional PA speaker with two extremely powerful 15 Inch long-excursion drivers
- 2000-Watt power handling
- State-of-the-art 1.75 Inch titanium-diaphragm compression driver
Behringer Eurolive VP2520 PA Speaker Specifications - High frequency transducer / horn: 1.75 Inch
- Low frequency transducer: 2 x 15 Inch
- Program power handling: 2000 Watts
- Continuous power handling: 500 Watts
- Crossover frequency: 2.2 kHz
- Construction: Wood
- Other features: Speakon-style connectors plus 1/4 Inch jacks, HF driver overload protection, linkable via thru connectors
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Behringer Eurolive VP1800S 18 Inch PA Subwoofer
Behringer's Eurolive series PA systems cover a wide range of uses where professional quality sound is required. Whether you are a gigging musician, professional DJ or looking for the right system to install in an auditorium. The Eurolive VP1800S Subwoofer takes care of the low end you'll need to round out your sound. The VP1800S is a matching, professional 18 Inch subwoofer, boasting the ability to handle up to 1,600-Watts of power and deliver high SPLs at frequencies as low as 40 Hz.
Behringer Eurolive VP1800S PA Subwoofer Specifications - Low frequency transducer: 1 x 18 Inch
- Program power handling: 1600 Watts
- Continuous power handling: 400 Watts
- Crossover frequency: LP 15 Hz
- Construction: Wood
- Other features: Speakon-style connectors, ergonomic handles for easy transport, linkable via thru connectors
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Hartke 3500A Bass Guitar Amplifier Head, B-Stock
The Hartke 3500A delivers a winning combination of tone and power that has made it the choice of professional bass players and our best selling bass head.
The 3500A features Hartke’s classic dual preamp design, dual EQs, and a ballsy 350-watt RMS power section (4 ohms/mono)this is the centerpiece of the Hartke Professional bass amp lineup.
Front panel controls feature both active and ive quarter-inch inputs, independent tube and solid state preamps each with volume controls for mixing the warm tone of the tube preamp with the clear piano-like tone of the solid state preamp, a super smooth compressor with a clip light and a Threshold control, 10-band graphic EQ with lighted sliders, bass and treble contour controls, and Master Volume control. The rear panel provides a studio-quality XLR balanced direct out (with ground lift and pre/post EQ switch), and an effects loop with Blend control.
Hardly changed in 10 years, the 3500A was given a new look with a new face plate and a vintage-style wooden cabinet.
Hartke 3500A Features - Power to spare The 3500A delivers 350 watts to a 4 ohm speaker or 240 watts to a 8 ohm speaker.
- Hartke's unique Transient Attack circuitry ensures that every nuance of your bass performance is reproduced faithfully.
- Two Pre-Amp input knobs, allowing custom blending of tube and solid state sounds.
- Ten bands of high-quality graphic equalization, allowing you to create a broad range of tonal colors for your bass instrument. A dedicated in/out button allows you to preset an equalization curve.
- Two fully adjustable contour knobs (high and low ), which provide further control over shaping your bass sound.
- A built-in compressor which not only adds real punch to your bass sound, but also allows you to smooth out volume differences between notes.
- Two independent inputs that accommodate both ive and active bass guitars.
- Protection relay circuitry that protects connected speakers from dangerous overloading and also prevents thumps when powering on or off.
- Effect loop and return jacks that allow you to connect to professional outboard effects processors.
- An effect Balance knob which enables you to adjust the relative amount of (dry) versus Return (wet) effect signal being routed to the speaker outputs.
- Electronically balanced direct output that provides a means of routing signal to professional mixing consoles in both live performance and recording environments. A ground lift switch helps prevent hum or buzz from entering the signal, and a pre/post switch allows the direct signal to be derived either before or after the amp EQ section.
- LEDs that show you the settings of the graphic equalizer in low-light environments as well as a two-color LED that continuously shows the status of the compression circuitry in response to your playing.
- Rugged construction makes the Model 3500A eminently road-worthy.
Designed with more control in mind
The Hartke 3500A Bass Amplifier gives you enormous control over shaping the sound of your bass, using a process called equalization. To understand how this works, it's important to know that every naturally occurring sound consists of a broad range of pitches, or frequencies, combined together in a unique way. This blend is what gives every sound its distinctive tonal color. EQ controls allow you to alter a sound by boosting or attenuating specific frequency areas—they operate much like the bass and treble controls on your hi-fi amp, but with much greater precision. The Model 3500A provides you with two different means for equalizing your bass sound: - Low and High Contour controls provide 18 dB of cut or boost in two broad frequency bands.
- A Graphic Equalizer provides 15 dB of cut or boost in ten narrow frequency bands.
Normally, you will adjust the two Contour controls before fine-tuning your EQ with the Graphic Equalizer. The Low Contour control affects a broad band of frequencies with 100 Hz as the center point; similarly, the High Contour control affects a broad band of frequencies with 10 kHz as the center point. When either is in its center detented position ("0"), it is having no effect. When it is moved right of center, the particular frequency area is being boosted; when it is moved left of center, the frequency area is being cut (attenuated). Because there is very little bass guitar energy at 10 kHz, the High Contour control should be thought of as your overall noise controlturning it down (to the left of the "0" position) will help to eradicate hiss and buzz while having very little effect on the bass guitar signal. Similarly, the Low Contour control, when set left of 0, can be used to eliminate rumble and woofiness.
The ten-band graphic equalizer provides ten sliders, each corresponding to a single narrow frequency band (at 30 Hz, 64 Hz, 125 Hz, 250 Hz, 500 Hz, 1 kHz, 2 kHz, 3 kHz, 5 kHz, and 8 kHz). This allows you to "draw" the desired tonal response of your system. When a slider is in its center detented position (“0”), it is having no effect. When it is moved above center (towards "+15"), the particular frequency area is being boosted; when it is moved below center (towards “-15”), the frequency area is being attenuated. Hartke carefully selected these frequency areas because they have maximum impact on bass signals. For example, the lowest slider (30 Hz) affects the very lowest audible frequencies (in fact, most humans cannot hear below 20 Hz), while the highest four sliders (2, 3, 5, and 8 kHz) affects the twang of a bass string.
Covered by Hartke's 3 Year Warranty.
Hartke 3500A Specifications - Input Sensitivity:
- ive Input: 100 k Ohms 20 mv.
- Active Input: 100 k Ohms 60 mv.
- Rated Output Power: 350 watts 4 ohms; 240 watts 8 ohms
- Total Harmonic Distortion: Less than .5%
- Signal To Noise Ratio: Approx. 78 dBm
- Equalizer:
- Contour Low ±18 dB 100 Hz
- Contour High ±18 dB 10 kHz
- Ten-Band Graphic: ±15 dB, center detented 30 Hz, 64 Hz, 125 Hz, 250 Hz, 500 Hz, 1 kHz, 2 kHz, 3 kHz, 5 kHz, 8 kHz
- Compression Ratio: 2:1 to infinity
- Output Level: 0 dBM
- Return Input Level: 0 dBM
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Hartke Kickback 15 Bass Guitar Combo Amplifier, B-Stock
The Hartke Kickback 15 was designed to be tilted back on stage, pointed up at you, so you get a full signal, right where you need it!
It has an XLR direct out that you run to the board, so they can hear your bass out front (pre volume & EQ). It's loaded with the extremely cool Hartke 15-inch aluminum cone driver and Hartke's model 1200 head (120 watts into 8 ohms). Other features include 3-band EQ plus an adjustable-frequency shape control and a headphone jack.
Hartke Kickback 15 Features & Specs - Revolutionary Two-Way (Upright & Tilt-Back) Cabinet Design For Performance, Practice And Monitoring
- Custom Hartke 15 inch Aluminum-Cone Driver
- 120 Watts 8 Ohms
- Unique Shape Control For Accurate Tone-Shaping
- 3-Band EQ
- ive/Active Input Jack
- Balanced XLR Out
- Dimensions: 21.75 (H) X 18 (W) X 16.75 inches (D)
- Weight: 47 pounds
Flexible enough to be played upright or kicked back as a monitor, Hartke's Kickback quickly became one of the most imitated (but never duplicated) designs in bass. The 15 is the big bottom Kickback combo. Its Versatile two-way design delivers all the bass you'll ever need. Features include a massive Hartke 15 inch aluminum-cone driver, 120 watts (at 8 ohms), and a fully adjustable Shape control.
The XL Series provides the highest performance at every level. Each cabinet is carefully calibrated and tuned to give you a smooth, balanced response along with an articulate, high-impact attack. Equipped with custom Hartke XL aluminum-cone drivers for maximum response, the XL Series also features high-quality 3/4 inch + 5/8 inch composite plywood construction and a shockproof metal grille. These high-quality cabinets come equipped with a rugged, road-tough covering, interlocking stacking corners and recessed input jacks to safeguard critical cable connections.
Covered by Hartke's 3 year Warranty.
Hartke Kickback 15 Specifications - Rated Output Power ( 1 kHz, 8 ohm):
- Normal: 135 W
- Limit: 120 W
- Rated Input Level ( 1 kHz):
- Normal: -30.1 dBu
- Limit: -30 dBu
- Total Harmonic Distortion ( 120 W, with 30 kHz LPF):
- Signal To Noise Ratio (with 30 kHz LPF):
- Normal: 85 dB
- Limit: 80 dB
- Frequency Response (EQ flat, +0.5/-3 dB):
- Pre Output: 5 Hz60 kHz
- Speaker Output: 35 Hz52 kHz
- Maximum Gain:
- Input to Pre Output: 45.05 dB
- Input to Speaker Output: 62.1 dB
- Equalizer:
- Low (100 Hz): ±15 dB
- Mid (300 Hz): ±15 dB
- High (5 kHz): ±15 dB
- Shape Effect (Shape control, Min. to Max.):
- Normal: 2223 dB
- Limit: > 20 dB
- Noise Level ( Speaker Output with 30 kHz LPF, EQ flat):
- Volume Level Minimum:60 dBu
- Volume Level Maximum:44.5 dBu
- Headphone Level (600 ohm load)
- Normal: 493 mW
- Limit: 500 ±30 mW
- Idle Current Measurement:
- Normal: 4.4 mV / 0.47 Ohms
- Limit: Max. 10 mV / 0.47 Ohms
- DC Offset Voltage:
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Roland HPD10 Handsonic Percussion ControllerFactory Resealed
Roland Handsonic 10; Roland's Revolutionary E-Percussion Family Expands From the company that made electronic hand percussion world famous, Roland announces the second member of its HandSonic family: the HandSonic 10 (HPD-10). More affordable and streamlined than its big brother, it offers the same great pad response that made the original HandSonic so popular, but with a specialized set of features and a fresh batch of sounds, rhythms, and effects.
A unique collection of sounds has been created for the HandSonic 10; more than 350 high-quality instruments are onboard. All of the percussive essentials have been included — congas, bongos, tabla, djembe, cajon, etc. — as well as melodic percussion, drum kit, special effects, and more.
The HandSonic 10 offers a new type of metronome with an inspiring selection of patterns and a comfortable round playing surface divided into ten individual pads offersure and positional sensitivity. The popular Roland D Beam is also included for dramatic triggering and pitch control. Roland even equipped the HandSonic 10 with a Rhythm Coach virtual trainer for behind the scenes practice.
While the HandSonic 10 is primarily a hand percussion instrument, users can add a Roland kick pad (optional) via the external trigger input, or add a Roland V-Pad. The input is dual-trigger compatible for double the triggering power via an optional PCS-31L Y-cable.
Roland HandSonic 10 Features - All-new sounds (approx. 400)
- Style Guide Metronome (new metronome function with backing rhythm patterns)
- 10 individual pads withure sensing
- Large icon-driven LCD
- D Beam controller for sound, pitch, and effects control
- 20 multi-effects
- Rhythm Coach function
New Sounds
An all-new collection of sounds has been created for the HPD-10; approx. 400 high-quality instruments are onboard. All of the percussive essentials have been includedcongas, bongos, tabla, djembe, cajon, etc.as well as melodic percussion, drum kit, special effects, and more. No matter the genre, from ethnic to electronic, the HPD-10 has you covered.
Style Guide Metronome
The HPD-10 has a new type of metronome that provides an inspiring selection of rhythm patterns based on a variety of music styles. It helps you not only for practice, but also for sessions as play-along patterns.
Sensitive Surface
Whether you’re laying down the most delicate finger rolls or the sharpest slaps, the HPD-10’s playing surface can handle anything you give it. The comfortable round surface is divided into ten individual pads withure and positional sensitivity. The popular D Beam is also included for dramatic triggering and pitch control. Strike a virtual gong with your head, and control the pitch of a talking drum with your hand waving up/downyou get the picture.
Rhythm Coach
Flaunting your chops on the stage or in the studio is the fun part, but behind the scenes it’s practice that gets you the gigs in the first place. For this purpose, Roland has equipped the HPD-10 with a Rhythm Coach. This virtual trainer provides exercises to improve your timing and knowledge of rhythms.
Roland HandSonic 10 Specifications - Pad: 10 inches, 10 sections,ure-Sensitive
- Instruments: 400
- Percussion Kits: 64
- Effects:
- Ambience: 5 types
- Multi-Effects: 20 types
- Style Guide Metronome: 70 patterns
- Tempo: 40-200
- Coach Mode: QUIET COUNT, RHYTHM CHECK, TIME CHECK, PAD FOLLOW, AUTO UP/DOWN
- Controls: D beam, Modify knob, Volume knob
- Display: Icon-driven Backlit LCD
- Connectors: Output Jacks (L/MONO, R), Phones Jack (stereo phone type), Mix In Jack (stereo phone type), Trigger Input/Foot Switch Jack (Dual), MIDI Connectors (IN, OUT)
- Output Impedance: 1.0 kOhms
- Power Supply: AC Adaptor (DC 9V)
- Current Draw: 1,000 mA
- Dimensions: (12-3/4 (W) x 16-13/16 (D) x 3 (H) inches (323 x 427 x 75 mm)
- Weight: 6 lbs 7 oz (2.9 Kg), excluding AC adaptor
- Accessories (included): Owner's Manual, AC Adaptor (ACI/PSB-1U Series), Screw (M5 x 12) x 4 (for Mounting Plate)
- Options: Pad Stand (PDS-10), Carrying Bag (CB-HPD-10), Foot Switch (BOSS: FS-5U, FS-6), Pedal Switch (DP-2), Kick Trigger (KD-7, KD-8, etc.), Pad (PD-8, PD-85BK/WT, etc.), Cymbal (CY-8, etc.), Connection Cable (PCS-31L)
* The specifications are subject towithout notice.
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Drum Workshop DW 7000PT Single Bass Drum Pedal
Drum Workshop 7000 Series Bass Drum Pedals are newly upgraded with the Double-Chain Turbo Sprocket and come standard with the two-way 101 beater. The slotted Stroke Adjustment allows infinite beater angle adjustment and the ball-bearing rocker reduces friction. Double pedals feature a single post casting, allowing for easy movement between the left side of the double pedal and your hi-hat. The Double Adjustable Toe Clamp can be fine-tuned for any bass drum, counterhoop width.
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Weekend Email-only Specials for You!
September 3rd, 2010
AMERICAN MUSICAL SUPPLY ---24/7 1-800-458-4076
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Weekend Warrior Sale ends Monday
Samson SE50 Headset Microphone
EveryDay Price: $129.95
Weekend Price: $99.99 {You Save $150.00 (60%)}
DigiTech Vocalist Live Pro Vocal Harmony Processor, B-Stock
EveryDay Price: $449.97
Weekend Price: $399.99 {You Save $449.96 (53%)}
3 EASY Payments of $133.33
Behringer Eurolive VP2520 PA SpeakerNew Price Drop!
EveryDay Price: $329.97
Weekend Price: $217.99 {You Save $218.00 (50%)}
Behringer Eurolive VP1800S 18 Inch PA Subwoofer
EveryDay Price: $299.97
Weekend Price: $207.99 {You Save $208.00 (50%)}
Hartke 3500A Bass Guitar Amplifier Head, B-Stock
EveryDay Price: $359.97
Weekend Price: $269.97 {You Save $390.02 (59%)}
3 EASY Payments of $89.99
Hartke Kickback 15 Bass Guitar Combo Amplifier, B-Stock
EveryDay Price: $359.97
Weekend Price: $299.97 {You Save $430.02 (59%)}
3 EASY Payments of $99.99
Roland HPD10 Handsonic Percussion ControllerFactory Resealed
EveryDay Price: $549.95
Weekend Price: $484.98 {You Save $214.02 (31%)}
3 EASY Payments of $161.66
Drum Workshop DW 7000PT Single Bass Drum Pedal
EveryDay Price: $99.95
Weekend Price: $74.99 {You Save $134.00 (64%)}
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Mackie Onyx 1620i Firewire Recording Mixer
Subject: Ties my studio together
Quality: It's rather expensive for a guy on a budget, and it was the last real piece I needed to tie it all together. And it was worth every penny.
Features: The inserts are connected to the eq's pre/post switch which is awesome. The manual only says that you can preform a wiring mod to make them post. So if your like me and curious to know, there ya go.
Ease of Use: It's very well laid out. Very intuitive. If your like me and prefer an analog front end this is it.
Sound: This thing is a world class studio compared to my old firewire mixer. So warm and full of analog goodness without all the noise. It's like I'm hearing all the rest of the gear in my studio for the first time.
Reliability: Just got it but my Mackie 1604VLZ is 17 years old and is still our live mixer. So I don't really expect a lot of problems with this one.
Overall: For my project studio this is the perfect front end. Worth every penny and then some. I was cheap the last time and bought something other then a Mackie. And I can't believe how much I missed not having a Mackie.
Do you own this product?: Yes
Mackie Onyx 1620i Firewire Recording Mixer
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